Your Resume Got Rejected…Now What?

You finally spotted an opening for your dream orchestra job and eagerly submitted your resume, already imagining what it would be like to actually win that position. You envisioned where you might live and what life would look like when you landed the job. 

But then, the harsh reality hit - your resume didn't even make the cut.

Ouch.

As an audition coach, I understand that rejection can be discouraging, especially when it comes to something as important as your career as a classical musician. However, it's important to remember that rejection is not the end of the road, and there are steps you can take to improve your chances for the next audition.

First and foremost, don't take the rejection personally. Remember that the committee had to draw the line somewhere and that your resume just didn't make the cut this time. Instead, use this as an opportunity to reflect on how you presented yourself on your resume. Is it clear, concise, and in chronological order? Is it an honest representation of where you are in your career?

These are all important factors to consider when preparing your resume for the next audition.

Next, let's talk about three steps you can take when you get rejected from the screening round of an audition.


Ask to be reconsidered

One option is to appeal the decision. While it may seem like a long shot, there are cases where appealing has led to success. The story of the musician who appealed a major symphony orchestra audition and ended up winning the job is a testament to the power of not giving up. If you have the desire and gumption to appeal, it could be worth a shot.

Get a reference

Another option is to ask a trusted teacher to go to bat for you. This can be particularly helpful if you have a well-known teacher who is extremely familiar with your playing and can vouch for you. This does NOT mean someone whose masterclass you happened to have played on in your undergrad, or a teacher who you had one or two lessons years ago. Your reference ask needs to be RELEVANT and RECENT.

Also, be mindful of who you ask and make sure it's someone who can speak to your playing and character in a positive way. Avoid asking someone who might become aggressive or inflammatory on your behalf, as this could hurt your chances even more.

Submit a Pre-Screen 

Finally, if you're still not offered a spot at the audition, consider asking if it's possible to submit a pre-screen recording. While there's no guarantee that this tactic will be effective, it's worth a shot. Just be sure to send a realistic representation of your playing and avoid sending a highly edited tape that doesn't accurately reflect your sound. Additionally, make sure you know how to capture a high-quality recording, as this can make a big difference in how you're perceived by the committee.

A Word of Caution

One thing I would strongly caution against is “crashing” the audition. The tactic of just deciding on your own to drive or fly to the audition and barge your way in, demanding to be heard, is a really bad idea. If you’ve tried all of the above strategies in a respectful and professional manner and the answer is still no, then let it go. You don’t want to gain a reputation for being aggressive or difficult to deal with.

Rejection Doesn’t Define You

Remember, one audition doesn't define your entire career as a classical musician. Stay the course, keep practicing, and don't allow discouraging feelings to derail you from your goal. With persistence and dedication, you'll get there eventually.

 

Chris @ Honesty Pill

P.S. If you are ready to level up your resume and get invited to your next audition, check out my 16-week Audition Accelerator Course. It’s time to face the music, but you don’t have to do it alone.


 

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Investing in Yourself: Overcoming Low Self-Confidence on the Audition Circuit